![]() ![]() You can start by trying the color correction methods within the despill tool.įinally, you have to integrate your foreground well with your new background. In the composite, you would expect something similar from the real-world background. In the studio, light from the screen was shining directly through the semitransparent edges. In those cases, you can use an outside tool for better despill.īut you will inevitably have issues around the edges as well. The built-in mechanism of the Delta Keyer can sometimes lead to discoloration or noise. Different tools for spill suppression or spill removal have their strength for different scenarios. The light bounces from the screen and falls onto your actors. Your lighting situation in the greenscreen studio is very different from the lighting in the background environment.įor starters, you have to take care of the spill light. But there are more problems down the line. If you consider these points then you are on a good track to a great clean alpha channel. Props, shadows, wrinkels and more that are not directly next to the subject can be removed with a garbage mask. Problems away from the subject: The keyer should be tuned for the subject not for surroundings.This approach is often called Hard Comp / Soft Comp approach. We can often fill those either with a mask or with a second harder key. Holes in the middle: A key that retains edge detail will often leave holes in other areas.That’s why we need to deploy different solutions for different areas. A keyer that retains that detail will very likely have holes in other areas. In all those scenarios you need to work very carefully. Edge detail: Soft hiar, semitransparent edges, motion blur etc.But you have to use it carefully and make sure it only works on the background. Don’t believe me – start playing with the gamma slider! The delta keyer has an inbuilt background correction algorithm for that. ![]() Uneven Background: Yes, even the best studio lighting will still produce some unevenness on the background.For high-end results in complex situations, you need more than a good tool: You need a solid workflow!įor great keying results you need to make sure you apply the right keying technique for the right problem: Keying with a one-stop tool like the 3D keyer in DaVinci Resolve can give decent results in average situations. ![]()
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